Sunday, May 17, 2015

Secret Military Human Cloning Project; codename: "Orphan Black"

Tatiana Maslany plays several women who discover that they are actually clones. 

It was a rainy day in March, I was bored, and I wanted something interesting to watch that was not a reality show, nor a documentary, nor one of the overly hyped so-called hits that appear on the major networks. I browsed through the on-demand listings and stumbled upon a series titled Orphan Black which smartly opened with Season 1, episode 1 for those of us who might need catching up. "I'll give it a shot," I thought.

I ended up binge-watching the first four episodes and was then hooked. By the time Season 3 began on BBC America on April 18, 2015, I was quite familiar with the story line and eagerly anticipating its debut.

But, why had none of my geeky sci-fi loving friends ever mentioned the show? Why hadn't I seen any Saturday night post-airing mentions on my social media feeds for hashtag CloneClub?

The show, which is filmed in Toronto Canada, has been slow to take hold here in the U.S., and is often overlooked for critical acclaim, including being passed over twice for a single coveted television Emmy nomination. It has earned a heavy shelf of other awards, however, including: four EWwy's (Entertainment Weekly), a 2014 Gracie, two 2013 Tubey's for most underrated show and best new show, and pretty much cleaned up at the 2nd and 3rd annual Canadian Screen Awards in 2014 and ’15 for best -- you name it. Once a critic takes the time to watch the show, they are captivated and impressed. Now in it's third season, the buzz is finally growing as the 13,000 Facebook-based CloneClub fans and over half a million series fans come out of hiding to show their support.

Orphan Black on facebook and twitter
CloneClub on facebook
See Wikipedia for a full list of awards.


Sometimes, a name is to blame. 

"Orphan Black" is the codename for a secret military project involving the genetic research of human cloning.

The term "black" in the title refers to a top-secret, covert, private-sector-run, highly-classified military operation. It is an obscure usage of the word "black" to many American audiences who might shy away from it, assuming that it's a racist term. Perhaps this is one of the reasons why the well-executed, thought provoking show has not caught on like wildfire in the U.S, …yet.

In the storyline, two projects were successfully launched about thirty years ago: Project Castor, which created a stronger-than-average breed of loyal, obedient, soldier; and Project Leda, which created a fast-healing, quick-thinking, intelligent female.


Plot in a nutshell

The pilot episode 101, which originally aired on March 30, 2013, introduces us to the lead character, con-man Sarah Manning (played by Tatiana Maslany), who returns to Canada where she discovers by accident that she has a twin she didn't know about. Sarah is leading a troubled life of crime and needs to hide out from her abusive drug dealer boyfriend, Vic (played by Michael Mando). She decides to switch identities with her newfound twin, Elizabeth "Beth" Childs, who has unfortunately just committed suicide, but left behind her purse with ID, a ledger for a healthy savings account, keys to a lovely apartment, and a gorgeous boyfriend Paul (played by Dylan Bruce). While a funeral is held for Sarah, she has no trouble impersonating Beth, even sleeping with Paul and cashing out the bank account, until she discovers that her deceased twin was employed as a police officer who is now under investigation for a serious manslaughter charge.

Over the next few episodes, we are introduced to a dozen Project Leda clones, each uniquely different from the other in personality and lifestyle. We become well-acquainted with the following main female characters:

Allison is the uptight, anal, pill-popping soccer mom married to her high-school sweetheart, Donnie (played by Kristian Bruun).

Helena is the dangerously uninhibited clever sociopath who was raised locked away in a closet in a nunnery in the Ukraine.

Cosima is a brilliant scientist and lesbian who is suffering from a disease which is the result of a flaw in her human-engineered DNA.

Rachel is the "fully aware" clone, raised by the scientists heading project Leda, and is now a bureaucrat who helps run the project.

Sarah, our lead clone character, is a con woman who was raised in the UK, then moved with her foster family to Canada. After having a fight with her stepmother Mrs. "S" (played by Maria Doyle Kennedy) over partying too much, she abandons her young daughter Kira (played by Skyler Wexler) and runs away to live in the UK. After a time, she returns to Canada to reclaim her daughter and join up with her beloved brother Felix (played by Jordan Gavaris), and this is where our adventure begins.


Tatiana Maslany

It would have been easier for the co-creators of the sci-fi drama Orphan Black, writer Graeme Manson and director John Fawcett, to hire a set of twins to play the 11 different adult female clone characters. Instead, they hired Tatiana Maslany (nicknamed Tat), a multi-lingual 29-year old actress from Regina, Canada.

As you watch the show, you quickly forget that Sarah, Cosima, Allison, Helena, and Rachel are all being played by one, and only one, single solitary actress. This differentiation in character portrayals is even more pronounced when one clone masquerades as another, as twins often do. Somehow, Tat manages to pull it off.

Actress Tatiana Maslany said she uses a few different techniques to get in character for each role, including preparing for each part by dancing in her trailer to sound tracks she's customized to match the mood of each personality. She says she waits until she has "transitioned" into the new person before going on set.

As an example, in a recent interview on the Kelly and Michael show (May 13, 2013 video), Tat said she uses the Jurassic Park theme song to prepare to play the voice of Pupok, the scorpion, an imaginary friend and advisor to the psychologically unstable Ukrainian "seestra," Helena.

In addition to having to play several different personalities, Tat also must sometimes act her lines while "pretending that there's a person opposite me, when there often isn't."


Creating an illusion

In order to pull off such an amazing feat of having just one actress play several opposing roles is a sophisticated, well-rehearsed, behind-the-scenes team operating highly technical gadgetry.

In some cases, Tat's primary body double Kathryn Alexandre steps in when the scene involves physical interaction between two or more twins. The scene is shot several times with Kathryn and Tat playing opposite roles, then with Tat playing to an invisible character marked only by a piece of tape or a ball, which is used to help keep her eyes focused on the correct location.

Each time a two-or-more-clone shot is filmed, it's achieved using a device nicknamed the "Time Vampire" which features a camera on a technodolly that memorizes movements and can then repeat them back, so that it is programmed to always follow the exact same track over the exact same period of time. This allows all of the versions of film to line up precisely so that they can be seamlessly edited, creating a believable illusion of multiple actresses. The gizmo is called a time vampire due to the necessity to allow it to run its full course and full length of time with each take.

A video explaining part of the process can be found online on BBCamerica.com.

Director John Fawcett leads the crew. Aaron Morton is in charge of cinematography. The complex task of editing multiple takes of the same scene is completed by D. Gillian Truster, Brett Sullivan, Jay Prychidny, Stephen Lawrence, and Matthew Anas.

Tat's body double Kathryn Alexandre also appears as "Alexis," a member of a dangerous religious cult known as the Proletheans, who are interested in cultivating offspring from the clones.

Project Castor features the male clones, all portrayed by the talented Ari Millen, who plays a prominent role in Seasons 2 and 3. Unlike the clones of Project Leda, the military bred Castors are expected to conform and behave in much the same way as each other.

(Full cast and crew listed on IMDB)

On May 7, 2015, Orphan Black was renewed for ten more episodes in Season 4.

Orphan Black can be seen on BBC America each Saturday at 9:00 p.m. Or, find past episodes on-demand and on itunes.



Thursday, December 18, 2014

Season 5 of The Sing-Off: Blink and you missed it

Melodrones from Vanderbilt University in Nashville, TN became the first collegiate winner of The Sing-Off.

Last night (Wednesday, December 17, 2014), we were treated to a two-hour spectacular Season Opener / Series run / Finale of The Sing-Off, a group a cappella singing competition show. It was Season 5, all compressed into a teeny tiny compact little two-hour time slot on primetime television on NBC.

Six well-chosen extraordinary groups heralding colorful matching uniforms performed amazing vocal acrobatics as they competed for a $50,000 Sony Music Recording Contract.

I felt as if I had been flicking channels and stumbled upon the yearly NCAA Cheerleading competition, coming in at the end and having no clue what had already transpired in order for these particular groups to arrive at the finals. I had no idea who they were. I wasn't given the luxury of getting to know the teams over the course of the season, not even a short one.  I felt as if I had been cheated, as if I'd walked in at the end of an amazing movie, and hoping to find it on Netflix so that I could rewatch it from the beginning, sadly realized that it was not available. I wanted to get to know the team stars and hear their heart wrenching stories of trials and tribulation; find out how they formed their groups and trained for countless exhaustive hours; and watch as they grew as artists over the course of the season in response to the judges' constructive criticisms.

I missed host Nick Lachey's dorky banter with the judges, who each had little time to say much of anything. Though Jewel and Dr. Shawn Stockman of Boyz II Men returned, Ben Folds was off on tour somewhere and had to be replaced by Fall Out Boy's lead singer Patrick Stump. Poor Stump didn't even get his photo featured on the NBC website and is shown as a sad looking gray silhouette avatar: http://www.nbc.com/the-sing-off/about/bio/patrick-stump



I missed Ben Folds. I missed his dictionary-cracking vocabulary and insightful and intellectually complicated redneck-geek-charm-filled critiques.

Dr. Folds should be happy to hear that he finally got a win for a collegiate a cappella group. He's been rooting for this since Season 1 in 2009 when he helped launch the show with Deke Sharon, Mark Burnett, and Dr. Stockman after recording a college a cappella album. The black and gold Melodores of Vanderbilt University, formed right there in Dr. Folds own back yard of Nashville, Tennessee in 2009 (the same year the Sing-Off debuted), pulled out a win, beating out five exemplary groups.  I would not be at all surprised to see Folds work with the Melodores in the studio or on tour. 

My fear that the show would sink into the over-commercialized world of electronic dance music and auto-tuned vocal bands was dissuaded when the majority of the competing groups happily rejected the use of aids and stuck to the purist form of a cappella: meaning "in the manner of the church," without musical accompaniment.  Only one group, a.squared, took advantage of the newer relaxed restrictions and used a loop machine with a dedicated operator to create a musical backdrop.  In the end, it was all for naught, for they did not advance to the finals. In my opinion, the Sing-Off should return to the previous strict requirements. There's no need to muddy the playing field. 

I hope that like college cheerleading, a cappella competition returns to television next year in some format, perhaps aired on one of NBC's lesser sister networks over the summer, or even under a different name and with a new producer and record company sponsor. The Sing-Off may have lived out its life. However, a cappella will never die.


Show Recap

Jodi Walker wrote a nice recap of the season opener/finale/special for Entertainment Weekly, a la TVgrrrrl style, listing each act and the songs they performed. 


Season 5 Competitors

a.squared
New Haven, CT
5 member male group, formed from Yale University students, using an electronic loop machine.

The Exchange
Myrtle Beach, SC
5 member male group, formed from various members of other teams who met on the Sing-Off show while competing.

Melodores
Nashville, TN
14 member male collegiate singing group formed at Vanderbilt University

SanFran6
San Francisco, CA
6 member diverse group, formed to compete on the show.

Timothy's Gift
Nashville, TN
6 member female group, formed as a Christian faith based ministry to perform in prisons.

Traces
New York, NY
5 member female group, performing jazz and soul music.







Friday, December 5, 2014

Selfie is fun! It's fresh! It's new! It's exciting!.. It's cancelled :'-(

Henry Higgs (John Cho) and Eliza Dooley (Karen Gillan) take a selfie on Selfie.

One day while flipping through channels looking for something new and fresh, I stumbled upon the pilot of "Selfie," a half hour show debuting on Tuesday, September 30, 2014 on ABC. I managed to watch a few episodes here and there over the fall season as it grew on me. 

"Well, this is a hit!" I thought to myself, "It's the new Ugly Betty, but a little different."

We have the chattily charming, knows-all-the-good-gossip receptionist Charmonique (Da'Vine Joy Randolph); the extremely popular fashion forward Eliza (Karen Gillan); and instead of an "ugly Betty," we have an "ugly Henry" (John Cho) who Eliza is determined to crack free from his stoney socially awkward shell. Set in Los Angeles, Eliza and Henry work for KinderKare Pharmaceuticals under chairman Sam Saperstein (David Harewood). Eliza is a top salesperson and Henry is a marketing executive. 

The show encompasses all of the fun elements of a meaningless shallow self-contained sitcom, something of an endangered species these days in the sea of reality shows and soap operatic-like nighttime dramas. Actors parade about in a runway of fashions amidst sophisticated sets. There are plenty of references to the current affairs of the celebrity world, as well as heavy usage of real social media as characters take their own cell phone "selfies." Plots revolve around the ordinary everyday affairs most of us face in our own dreary less colorful lives, such as: the fear of speaking in public, getting shamed on social media, wanting to be promoted at work, being bold enough to ask a woman out on a date, and being smart enough to know when your boyfriend just wants you for your body. We haven't seen such fun television entertainment since Alicia Silverstone strolled on screen in "Clueless."

Interesting casting

The icing on the television cake is the excellent acting. The clever casting by Tim Payne and Lisa Ystrom of serious actors who can cross over from drama into comedy is what has created the magical chemistry that truly makes this show work. Though plots contains very light content, the show does not insult the viewer's intelligence.

To name a few: 

Karen Gillan, who previously starred as Amy Pond from 2010 to 2012 on Doctor Who, is entirely convincing as a beautifully shallow and ultra-critical social guru.

John Cho, who we've also seen recently as police officer Andy Brooks in FOX's Sleepy Hollow, plays the sadly serious straight man Henry Higgs who is in dire need of loosening up.

David Harewood, known for his role of David Estes in Homeland, is simply fun in his portrayal of the eccentric and open-minded company boss Sam Saperstein. 

Charmonique (Da'Vine Joy Randolph) gets dressed for her high school reunion with the help of Eliza (Karen Gillan). 

Da'Vine Joy Randolph is far too realistic (in a good way) as the tough-as-nails receptionist Charmonique. Randolph, unlike the others, has been pulled in from the live acting world of Broadway. She was nominated in 2012 for a Tony award for her role as Oda Mae Brown in Ghost the Musical. 

Actor Samm Levine from Freaks and Geeks plays Sam's son-in-law Terrance.

Brian Huskey, who's appeared as "that guy" in nearly everything from the serious House to the parody Children's Hospital, plays Larry, a smart business colleague.

Matty Cardarople, who I did not think I had ever seen in film before, but will now keep my eye on, is the awkward subdued assistant, Charlie. In real life, Matty is looking for a new job now that the show has been cancelled and has published an audition clip reel on twitter where he reveals himself to be the Skittles cloud petter. Ah ha! I have seen him before: Matty's reel

Selfie's premise was marketed as a modern day "My Fair Lady," with lead characters Eliza Dooley named for Eliza Doolittle and Henry Higgs for Doolittle's teacher and mentor Henry Higgins. However, the show is less about the cultivation of a socially proper young lady and more about the sexual tensions between the two leads: Eliza and Henry. Other than the pilot episode, it's really more along the lines of Shakespeare's "Taming of the Shrew" as Henry attempts to teach Eliza how to care less about herself and more about others. Eliza sees him as her only true friend, and begins to fall in love, one sweet episode at a time. 

For some reason, the show was cancelled by ABC, though due to an organized fan protest, the rest of the first season will continue to air on the paid service Hulu. I hope it continues for another season or two. It's just the kind of fun and nearly meaningless clean fluff we need to relieve viewers from a difficult serious day at the office. 

Is there hope for a Selfie season 2? We shall see. If so, it will most likely appear on another network. If not, I wish all the fine actors and crew the best of luck. 


Wednesday, November 26, 2014

Sing-Off Season 5 to air Wednesday, December 17, 2014

There is no need to stay home from black Friday shopping to watch Season 5 of the Sing-Off during the NBC winter-season break this Thanksgiving holiday. The formerly all A Capella, now instrument backed vocal competition show will not debut until Wednesday, December 17th at 9 p.m. for what is being celebrated as "A Special Holiday Event."

I am looking forward to the new format with morbid curiosity. How will strict A Cappella groups fare against vocal groups using backing instruments? How do you judge apples to apple pie? Although I love Sing-Off Season 3 winner Pentatonix as a strict A Capella group, I am much more impressed with their collaboration with expert fiddler Lindsey Stirling on an extraordinary cover of Imagine Dragons' Radioactive. In this rendition, Pentatonix' beat boxer Kevin Olusola (KO) also pulled out all the stops to accompany the group on cello:  

 

The judges will have a challenging time discerning the quality vocal groups from those groups who perhaps have less vocal talent, but are musical geniuses in supplementing their lack of vocal prowess with a difficult-to-emulate horn section or harpsichord. 

I am happy to report that both Dr. Shawn Stockman of Boyz II Men (Now using a PhD by his name on twitter, Stockman received an honorary doctor of humane letters from Drexel University in 1996) and Jewel are returning as judges on the Sing-Off. Nick Lachey of 98 Degrees is also returning as host. 

Former judge Ben Folds is passing this year, he says due to scheduling conflicts as he took his concerto tour to the southern hemisphere, too far to hop on a jet plane to bounce back and forth for the show's tapings. However, it is no secret that he is an A Cappella purist and I'm sure the show's format change to allow the addition of instrumentation must have ruffled his feathers. 

Replacing Folds is Patrick Stump, lead vocalist, guitarist, pianist and composer for the popular pop punk alternative band, Fall Out Boy. Stump is currently an advisor for The Voice, joining "Team Adam" just this Monday to advise contestants on correct vocal styling. Known for his quality two-octave baritone tenor vocal range, he will bring an interesting and fresh set of opinions to the judges' box. 










Wednesday, September 10, 2014

Sing-Off Season 5 – No longer A Cappella

Dr. Shawn Stockman's instagram post announcing the Sing-Off auditions for Season 5.

It was a rumor which started as a simple instagram post on Tuesday September 9, 2014, shared by Co-Judge Shawn Stockman on twitter. It's a simple photo announcing that the Sing-Off vocal group show will be returning to NBC for a 5th Season and there would be auditions beginning at the end of this month:
Los Angeles – Tuesday September 30, 2014
Nashville  – Thursday October 2, 2014
New York – Saturday October 4, 2014

Judging by the response on twitter and instagram, the fans and potential contestants are indeed excited and thrilled to be a part of a 5th Season.

After much anticipation, details were released on the official Sing-Off casting page.

The big news is that the Sing-Off, which debuted in 2009, is no longer an A Cappella show, which restricted performers to emulate all sounds of instruments, including bass and percussion, using only their voices combined with occasional hand claps and snaps. For the first time, instruments and backing tracks will be allowed into the audition portion of the competition. Apparently, the Sing-Off has been transitioned to become a vocal group show, instead of an A Cappella show.

Competitors should prepare three songs, with two of the songs being popular pop or rock songs performed in any style the group wishes, from big band to blues, gospel to rock, alternative to jazz, and so on. Each song cannot be longer than three minutes. Groups must consist of at least 4 members, with the maximum set at 20 members this year.

If accepted, groups must be available to compete in Los Angeles from mid November to December. 

Shawn Stockman will return as one of the judges. It is unclear who else will be returning to the show. As more details are announced, I will add them here in my blog. 



Wednesday, August 20, 2014

Simpsons Marathon on FXX starts tomorrow


A couch scene opens every episode. This one is from a Treehouse of Horror Halloween Special, my personal favorites.  

Just in case you've missed the announcements, FXX network will be airing the complete 552 episodes of The Simpsons in chronological order beginning at 10 a.m. on Thursday morning, August 21, 2014. The marathon will run through midnight on Labor Day, Monday September 1st.

FXX is a cable channel owned by the Fox Entertainment Group, a subsidiary of 21st Century Fox, who owns Fox Broadcasting network, the owner of the Simpsons franchise. Though both are part of the same network family, FXX paid a record 1 billion dollars in November of 2013 for the rights to show reruns on cable, bidding out TBS and Adult Swim. In fact, tomorrow will be The Simpson's first ever airing on cable.

Though there are only 552 episodes totaling 11.5 days of air time at a half hour each, the 2007 feature film, The Simpsons Movie will add an extra two hours of viewing time. The movie will air at 6 p.m. Friday August 29, right after Season 18's final episode, "You Kent Aways Say What You Want." Interviews and bits of trivia will also be interspersed in short breaks during the marathon.

The Simpsons began as a short animated feature shown on Tracy Ullman's variety show in April 1987, then got it's own half hour time slot beginning with a Christmas special airing on December 17, 1989 titled, "Simpsons Roasting on an Open Fire." Twenty five seasons later, the show is still going strong.

I am particularly interested in seeing reruns of the annual Halloween holiday specials, titled "Treehouse of Horror." The first one debuted during season 2 in October 1990 and contains a memorable dramatic reading by Lisa of Edgar Allen Poe's "The Raven."

The Simpsons are time capsules of pop culture, known for their parodies of famous works of literature and movies, as well as their political satires. Watching the old shows in order will be a bit like reliving the 80s, 90s, and early 2000s as we are reminded of important events from the day. Though many cities claim to be the setting of the show, creator Matt Groening says the city of Springfield is a composite of several cities. Though he won't reveal the true locations, these are most likely all located within Washington State and Oregon where Groening spent all of his early life. Occasionally, a specific landmark or news event can be pinned on a place, such as the one-mile monorail to nowhere in Seattle featured in S4E12 "Marge vs. the Monorail," and the nuclear power plant found outside Portland Oregon, close to where Groening himself grew up.

If you'd like to follow along, here is a useful episode guide published by Wikipedia:
Simpson's Episode Guide




Sunday, March 2, 2014

The Life and Times of Norman Bates: Bates Motel

Norman Bates (Freddie Highmore) and his mother Norma Bates (Vera Farmiga) purchase a hotel to run in "Bates Motel."

One of my favorite new TV shows that premiered this past year is Bates Motel. You won't find it on any of the four major networks. It's tucked away, hidden on A&E along with the unlikely pairings of a plethora of reality shows, such as "Duck Dynasty," "Storage Wars," and "Hoarders." 

While watching a marathon of reruns today on A&E, I thought about how remarkably well the show has been put together and how happy I am that it is continuing into a second season, which will premiere tomorrow, Monday, March 3 at 9:00 p.m. 

When rumors circulated that a Psycho movie spin-off had been produced for television, I felt a cringe. I wondered: How on earth will the show play out? How can you take a masterpiece, such as Alfred Hitchock's bone chilling, black and white 1960 film Psycho, and turn it into a television series with enough interest and plot potential to keep audiences enthralled for at least three years, the ideal minimum television show life span? Fortunately, the daring new series on A&E is a huge success.

The secret in this case is to stack your deck with talent. The acting is top notch and completely believable. The writing is well constructed. But perhaps the real star of the show is the ambience created through the combination of well chosen blue collar costumes; rustic period sets placed in the drizzly Pacific Northwest in British Columbia, Canada; excellent sound, lighting and backing music tracks; and most importantly, quality direction. There are moments when the viewer forgets that this is a one-hour television show on a non-premium cable network channel, and not the work of highly paid Hollywood movie directors and cinematographers working on a multi-million dollar movie.



There's one particular scene in Season 1, Episode 3, where the camera finds the very disturbed teenage Norman lying on his bed, his eyes wide open, the sun passing quickly from day into night, indicating that he has laid there in a catatonic state for several hours. Norman begins to hallucinate that his mother is lecturing him, something we discover occurs frequently.
MOM:  You were right. As long as Shelby has that belt, he can control us. He can make us do things, things we don't want to do. Just like your father did.
NORMAN:  We can't let that happen. Not again.
MOM:  This is all your fault.
NORMAN:  I know mother. There's something wrong with me.
MOM:  You know what you have to do, don't you?
NORMAN:  I have to get that belt.
The context of Bates Motel, the television show, is a well thought out predecessor to Alfred Hitchcock's 1960 movie, Psycho. which was based on the 1959 thriller novel by Robert Bloch. The Bates Motel writers have taken a lot of creative license, imagining how the good-looking intelligent young Norman Bates (played by Freddie Highmore) might have gotten himself into such a predicament where he ends up living in a decrepit hotel on a forgotten old highway with his domineering and unnaturally obsessive, controlling mother Norma (Vera Farmiga). Many questions are answered in the first season. 

We learn that Norman's father, Sam, died tragically after Norman and his mother killed him after he attacked her. However, Norma staged the death to appear as an accident, collected the life insurance money, and moved her 17-year old son with her from Arizona to the tiny town of White Pine Bay, Oregon. She buys an old 12-room motel on highway 88, puts up a Bates Motel sign, and begins renovations in preparation to open. However, trouble is on the horizon: the city is planning to build a bypass to highway 88 which will greatly diminish traffic, potentially putting her new fledgling company out of business.

Norma's son, Dylan Massett (Max Thierlot), from a different father, moves in during episode 2 and finds a job with an illegal marijuana growing business, apparently the small town's primary economic base.   

Death surrounds Norman, as characters are killed off faster than those on the "Walking Dead." He becomes obsessed with the macabre, learning taxidermy from the father (Ian Hart) of Emma DeCody (Olivia Cooke), a young and beautiful terminally ill classmate with cystic fibrosis.

We witness first hand the early signs of schizophrenia, watching as a seemingly normal fine-looking young man begins to lose his grasp on reality. We learn that his mother Norma is also not quite stable, yet hides her mental illness quite well through lying and taking advantage of her beautiful looks to manipulate well-meaning powerful men. We find that no one is perfect, that there are flaws in everyone, that corruption runs rampant and pure innocence does not truly exist.

There hasn't been such a dark and twisted intelligent plot featured on television since Twin Peaks.


Bates Motel Website

Just for a chuckle, check out the cleverly assembled Bates Motel website, complete with a cartoon map of the town of White Pine Bay, Oregon where the television show is based. On it you will discover childhood family photos of young Norman and a gift shop featuring collectibles from the show.



Though there is no White Pine Bay and no Highway 88 (or even State Route 88) in the state of Oregon, the series setting seems to be loosely based on the small town of Coos Bay off Highway 101 on the coast of Oregon. The original Bates Motel in Bloch's novel was based on the small town of Fairvale, California. There is a State Route 88 which runs from Stockton, CA near Sacramento to the state of Nevada.



Monday, December 23, 2013

Final Three Finale of the Sing-Off Season 4 to air tonight


Home Free from Minneapolis, one of three finalists to perform tonight. 

I am so sad.

The final episode of this season's Sing-Off will air tonight, Monday December 23, 2013 from 8 p.m. to 10 p.m. on NBC. 

The show is unlike any other in that it is an all vocal, unaided, untuned, raw a cappella competition show featuring groups from across the continent dressed in colorful costumes performing vocal renditions of hit songs. The only requirement is the groups must have at least five members, and all sounds must be made with what God has given you: your voice, and the occasional rare clapping, snapping, and foot stomping. Drums and bass, horns, and any other instruments are emulated with voices.

Judging the show are Ben Folds, Shawn Stockman, and Jewel and hosting is Nick Lachey of 98 degrees, all of whom will be performing in the pre-taped two hour finale airing tonight. The three remaining groups, Vocal Rush from the Oakland School for the Arts, Ten from Dallas, and Home Free from Minneapolis, are all competing for a chance at a $100,000 Sony recording contract. 

The Filharmonic from Los Angeles was eliminated during last Thursday's show, episode 6. 

The 2011 Season 3 winner Pentatonix, who will also be performing tonight, has not disappointed, having charted at #10 on Billboard's 200 with their latest release, PTX Vol. 2. 

In addition, the one and only Pat Benetar, a classically opera-trained vocalist turned rock star, will be performing on tonight's show with her husband Neil Giraldo. 

This will be the seventh episode of the fourth season of a hit show which has aired over the course of a mere 2.3 weeks. It is not long enough. But, I must admit, I'm glad we finally did get a season 4 after a year of campaigning to #SaveTheSingOff on twitter, Facebook, and in an online petition which garnered 39,139 signatures.


Changes

I must say, this has been the best season ever since the show's inception five years ago in 2009. The a cappella groups are much better, so good that any one of the ten competitors would have been a finalist in Season 1.

The judging is finely honed, given more time for explanations and definitions, and reached an even higher note with the brainy addition of Jewel. Surprised? I know I was. I love her. I hope she's back to stay next season. 

I enjoyed the mentoring moments where the judges helped the groups during their rehearsals. 

I also found the sing-off rounds, where two groups go head to head, to be fun and adventuresome, as would-be-competitors became best friends (in some cases) and put on incredibly entertaining and fun shows. I don't think the judges made too many decisions based on these performances, since I'm pretty sure each had already decided who they thought should stay and who should go, but I do find it informative for those of us at home to truly see the contrast of why one group is a better fit to win the recording contract than another. 

Judge Shawn Stockman, when commenting on a particular Sing-Off round between the acoUstiKats and VoicePlay, said, "You know, It was a mixture of Looney Tunes and Monty Python. It was fun… This is something that's very unique to this show. You'll never see anything like this anywhere else on television on any channel, and that's what's cool about the whole thing."

I don't love all the changes. 

I would prefer that the show air once a week and that viewers at home get an opportunity to vote for their favorites, typical of other talent competition shows. 

I also noted that the lengths of songs were inconsistent, with some groups given more time to perform their a cappella renditions of hit songs than others. Two minutes seems to be a good number.

In addition, I'd like to see some original songs introduced into the mix, if not part of the competition, then as video links on the website for added interest, with options to buy the songs on itunes.


The ratings

A friend of mine who's a huge fan and follower of The Sing-Off show asked me to list the ratings for each night that the show has aired, in hopes of a Season 5 (fingers crossed). I'm not a fan of Nielsen, due to the minimal way in which viewership is tabulated, but it is what advertisers look at. Advertisers buy commercials, which then fund wonderful shows like the Sing-Off.

Ratings include the five non-cable major networks: NBC, ABC, CBS, FOX, and CW. Mondays' ratings were higher both weeks. The first show followed The Voice finales, which boosted ratings. In my own neighborhood we were all watching our Orlando hometown girl, Sierra Deaton, compete in the finals on the X-factor on FOX with her boyfriend Alex Kinsey on Wednesdays and Thursdays, and win, I might add (Congratulations Alex & Sierra). Thursday at 8 also happens to be the time the Big Bang Theory airs, the number one show on primetime. Time slots make all the difference in the world. Mondays between 9 and 11 after The Voice seem to work well. 

Episode
date
time
position
18-49
rating
18-49
share
Million
viewers
S4E1
M 12.09.13
9-11
1st
2.4
6
8.39
S4E2
W 12.11.13
8-10
3rd
1.8
5
6.03
S4E3
Th 12.12.13
8-9
2nd
1.3
4
4.58
S4E4
M 12.16.13
10-11
1st
2.0
6
7.28
S4E5
W 12.18.13
8-10
4th
1.2
4
4.44
S4E6
Th 12.19.13
8-9
4th
1.2
4
4.48
S4E7*
M 12.23.13
8-10
1st
1.3
4
5.19

* Update note: The ratings for this finale episode, S4E7, were added later after this blog was published.

Post Show Addendum
Added on April 26, 2014. 

Home Free was announced as the winner during this show.

This season, the winner was chosen solely by the panel of three judges. The viewing audience was not allowed to vote in the final round as in years past.

Home Free released their first album "Crazy Life" as a digital download on the Columbia Records label on January 14, 2014 and followed it up with a CD on February 18. The album reached an impressive #8 position on the country charts in the United States, and #40 overall. 







Thursday, December 19, 2013

Sing Off Sings into the Semi-Finals for Episode 6


Ten from Dallas, TX performed an amazing rendition of "Sky Fall" in episode 5.

Tonight, December 19, 2013 the Sing-Off a cappella competition show will air Episode 6, featuring their four remaining acts, Vocal Rush from the Oakland School for the Arts, Ten from Dallas, Home Free from Minneapolis, and The Filharmonic from Los Angeles. They are each competing for a $100,000 recording contract with Sony Records.

The show is in its fourth season and is judged by Ben Folds, Shawn Stockman of Boyz II Men, and Jewel and is hosted by Nick Lachey of 98 Degrees. It will air on NBC at 8 p.m. tonight and replay again on Saturday night. Following tonight will be a two-hour Saturday Night Live holiday special.

Six remaining groups performed for the judges on Wednesday's show last night, and two groups were eliminated: The acoUstikats from the University of Kentucky, and VoicePlay from Orlando. 

The two-hour finale featuring the finalists is scheduled to air on Monday night from 8 p.m. to 10 p.m. and will feature a special treat: performances by the judges. 

Be sure to tune in!

In case you missed it, here's a recap of Wednesday night's show, which aired on December 18, 2013:


Season 4 Episode 5 Recap – "Movie Night"
Each of the groups was mentored by Jewel who inspired the groups to sing with emotion and heart.


Home Free
Minneapolis, Minn
5 men
covering "Pretty Woman" by Roy Orbison, from the movie "Pretty Woman."

Home Free performed quite a creative version of "Pretty Woman," a 1964 hit by Roy Orbison, first launching into an upbeat almost punk-country rhythm, then adding in an exclamatory group "Hey!" here and there. It was a bit like Johnny Cash meets Roy Orbison meets the Ramones.

The judges found their rendition to be interesting. "Home Fries, y'all my boys… that was tight. That was really great," said Folds. "One little silly thing that I liked to see you guys went 'Hey' … that was very cool."

The group then brought down the tempo into a beautiful, quiet and romantic section reminiscent of the original recording, per suggestions their mentor, Jewel had made during rehearsals. "Just make sure it doesn't pass by as just a toe tapper," warned Jewel," When you get done singing, we want to have it to haunt us, and we want it to have moved us."

"it's a really iconic song. It's a song everybody knows, so we want to be able to bring the really familiar aspects of the song to life. But we also want to do something with it to make people enjoy it in a way they weren't expecting," explained band member Austin Brown.

"Sounded awesome," said Folds.


Vocal Rush
Oakland School for the Arts high school in Oakland, CA
12 young men and women
covering "Against All Odds " by Phil Collins from the movie, "Against All Odds."

Noted for high energy songs with lots of choreography, the Oakland School for the Arts high school a cappella group, Vocal Rush, toned it down a bit and delivered a beautiful moving rendition of "Against All Odds" by Phil Collins. The performance was so momentous and heart stirring that it made me cry.

Kyana Fanene, who is usually singing the percussion, instead boldly took a risk and sang lead vocals on the intro and outro of the song in a delicately sweet voice, "The judges said we have a lot of youthful energy that tends to make us too excited and speed up. This will show how mature we can be," she said before her performance.

Jewel complimented the young singer, "Kyana, you're only 16 years old and you came out there and you allowed yourself to be really vulnerable and I heard your nerves. I heard it kind of taking your breath and cutting off your phrases and I liked it.  It's endearing because it's really honest and I like hearing that. I want to hear your vulnerability. I don't want to hear something perfect without emotion. I want to hear emotion even if it's slightly flawed, 'cause those flaws make us relate to you as human."

The group used 18-year old Jordan Holly's soulful vocals to deliver a powerful punch for the meat of the song. Stockman noted the singers' technique, "Jordan, I loved you since the first show. And the fact that you have such control with your voice and you're 18?" noted Stockman, "Sometimes it takes people years to develop that type of vocal control and to develop that type of such a richness about your voice and that is a great, great trait to have if you're gonna sing."

Folds, who has two teenagers of his own at home, was equally impressed with the moving rendition, "I just like you guys and you all sort of stand for something in a good way."

"As a unit, I believe that you guys have the ability to do anything you guys want because you understand each other. You really are a group. Great job," said Stockman.


acoUstiKats
University of Kentucky College of Fine Arts in Lexington, KY
12 men
covering "Old Time Rock and Roll" by Bob Seeger, from the movie "Risky Business."

One thing a large all-male collegiate a cappella group can do well is put on an entertaining show, and that they did while acting out the song, "Old Time Rock and Roll" by Bob Seeger, which featured Tom Cruise dancing in his underwear in the movie, "Risky Business."

"Because these are movie songs, create a picture for us, you know, give us a character. It's a fun song. It's about nostalgia," suggested Jewel during rehearsals.

The 'Kats (as they are affectionately known back at the University of Kentucky) started out their rendition in barbershop before quickly flipping into a very true-to-the-original version of the song led by singer, Ross Hill.

"Jewel gave us some really good feedback, like having a story line, having excitement, and a nostalgic feel," said Ross.

For the second verse, the group changed up the song and delivered a honky tonk country swing version with Jeremy Michael Lewis on lead vocals. They then transitioned into a bluesy version with the help of lead vocalist Ron Wilbur, a shift that Jewel noted as a "musical tour."

Despite all that was happening on stage, the vocals were reasonably tight, "Seriously guys, it was a great performance. Lots of energy," said Stockman, "Harmony wise, sometimes when you do the choreography, those harmonies can waiver. And I heard that just a little bit. But other than that, it was still a wonderful performance. Obviously, you guys found a niche."

"I thought the transitions were good. They were well executed," noted Folds. "I'm not dead sure if I was sold on the idea of that many styles of music being represented in a song that was about rock and roll," and suggested the "lead vocals could have used more, uh, growling."

In the final chorus, all three leads came together and stripped into their tidy whiteys, dancing across the stage in an homage to Tom Cruise's iconic scene.

"It was rocking' and rollin'. I could have done without the exposure," joked Stockman.

Sadly, the group went home after this show, not a reflection of their performance, but more as another sad casualty of the necessary elimination process, which has become quite difficult this year due to the impressive caliber of groups this season.


The Filharmonic
Los Angeles, CA
6 men
covering "I Don't Want to Miss a Thing," by Aerosmith, from the movie "Armageddon."

There is no doubt that The Filharmonic group are six very attractive young men, with lead singer VJ Rosales notably a "pretty boy," in the best sense of the term. Since the group is known for its good looks, beautifully smooth voices, and slick dance moves, mentor Jewel suggested to them that they add emotion to their performance, something she felt was lacking, "I just encouraged VJ to not just be a cute face, smiling, but to give me some feeling, give me some heart. Make me believe what you're saying."

"It's important for us to show and convey emotion this time around," agreed VJ.

And show it, they did. Their rendition of "I Don't Want to Miss a Thing" by Aerosmith was sweet and emotional, opening with the smooth croonings of VJ Rosales, before switching to the more powerful lead vocals of Joe Calgoy, who was moved to tears himself by the ending.

"It was really nice to see that vulnerable side of you," commended Jewel, "I love how you started that a cappella. It was really touching. You guys did a tender emotional performance of that," said Jewel, "you weren't relying on a lot of energy and dance moves, and so it made you guys really vulnerable."

Host Nick Lachey also gave his approval of Joe's emotional outpouring, "It's a blessing to see you up here giving it your all and coming from a place of real sincerity and honesty. That's a beautiful thing, man. Don't be ashamed of that at all. That's awesome. "

Folds had nothing but praise for the lead vocals, "Joe, especially in your lower range, the texture in your voice, and the tone to me that was the tambour of your voice, it was the most compelling thing about your performance," he said, "VJ, too. Great singing. The lead singing was really fantastic on both your parts."

"I think you guys interpreted it, lovely," added Stockman.

Folds took the opportunity to make a "global statement" about beat boxing on cymbals, finding no point to them in most a cappella renditions, "You might not need them. A cymbal in real life sustains beyond everything else… It is like, 'Psssssss' and it keeps going. But when you're beat boxing, you have to drop that in the middle. And what it does to the listener, is you hear someone spitting. And this is no reason for it."

Stockman reminded the group, "You have to make sure those harmonies stay locked from beginning to end," noting that their arrangements tend to come apart at the bridge. "You guys can be better. Just keep that in mind."


VoicePlay
Orlando, FL
6 men and women
covering "Don't You Forget About Me" by Simple Minds, from the movie, "The Breakfast Club."

Ben Folds joked that when the song "Don't You Forget About Me" by Simple Minds came out in 1985, someone who looked like Nick Lachey was beating him up in the school yard over lunch money.

I think the song hits home for a lot of us who have seen the movie, "The Breakfast Club," a movie which explores the high school angst of how students divide themselves into cliques where one person in one clique doesn't generally associate with someone in another clique, but then are suddenly thrown together, and find they actually really like each other. Folds noted, "I'm not someone who normally comments about choreography, but I liked that in the last chorus, you all kind of took off pieces of your high school identity to move on. I thought the symbolism of that was really powerful. That was really good."

During rehearsals, Jewel mentored the group.

Honey LaRochelle spoke of her fear of letting go of her emotions, "Being transparent and being vulnerable is a scary thing, but maybe that's really the way to go," said Honey. "Jewel said that maybe I wasn't being as honest as I thought I was being. I thought I was really putting it all out there, but the fact that she wants to see even more is even more scary."

Jewel gave her pointers, "I think you have a really deep well in you, and it's really vulnerable. Give me your heart, and I promise people will give it back to you."

Stockman shared some wise words based on his own experiences in the music business, "I think part of what makes us unique as artists and as singers is that we can bare our souls in front of millions of people… That's the magic and power of being an artist. You can be honest. Always remember that. And do not be afraid."

The group's vulnerability made their vocals that much more special as both Honey and Eli Jacobson sang emotional opposing lead parts, reflecting the mood of the song.

"I'm proud of you Honey, and it's an ongoing journey and I really do encourage everybody, every singer to really let your honesty come through. You know your realness is your thumbprint. It's what makes you uniquely you," said Jewel.

"Elliott, you surprised us all," said Stockman. "That's awesome that you came in the front and did your thing," noting, "It was nice to see you comin' out the box, sir."

The groups arrangement of the song was also complex and intricate.

"I liked how you guys deconstructed the song, it was a moment of polyphony, not to steal one of Ben's big words, but, I kinda had to do it," laughed Jewel, explaining that polyphony refers to intertwining, separate and distinct complementary melodies that are being played simultaneously, "instead of it being a harmony built on the triad."

"…as opposed to monophony," explained Folds, referring to music with just one melody or 'voice.'

"In other words, it was dope," joked Stockman, "I loved the arrangement. I love how you started. I loved how you brought in Honey, you have a unique voice in a way, because you can do almost anything. I always love your delivery, and I love your performance."

Both Stockman and Folds noted a loss of momentum in the arrangement somewhere near the bridge.

Stockman suggested that the group incorporate the song's musical hook, "the most memorable part of that song, "la la la la, clap, la la la la, clap…" as a way to end the song in a grand finale. "I didn't get that at the end, and I wish I did. Other than that, it was a good performance," said Stockman.

Sadly, the group was sent home, despite their amazing rendition. Once again, not due to anything they did or didn't do, but more attributed to the fact that someone must be eliminated.


Ten
Dallas, TX
10 men and women
covering "Skyfall" by Adele from the James Bond movie, "Skyfall."

I always want to turn up my volume louder when I hear Ten perform, since the wall of sound they create with mere vocals tickles my eardrums. It's important to have good speakers while watching the Sing-Off, really good speakers with a full spectrum of sound, in order to truly appreciate and enjoy the amazing harmonies truly good a cappella groups can create.

"You guys are doing really intricate ten-part harmonies. It was very impressive, very sophisticated and very appreciated," said Jewel.

Ten chose to perform a 007 James Bond movie song, "Skyfall," by Adele, as their movie hit with both Deedee Yancey-Mackey and Emoni Wikins on lead vocals.

"That was really good guys, that was really powerful," said Folds, "You hold back the groove like nobody else. Your choir is world class… amazing."

Jewel complimented the arrangement, "I loved that. It was like watching a movie. You had a lot of suspense and drama. A lot of great brushstrokes in the beginning. You set a scene."

Ten seems to have discovered the secret of how to arrange their parts. The song began with Deedee on lead vocals, hitting every note absolutely perfectly, then transitioned to the higher-ranged Imani, who was able to punch the high notes with power at the end.

"Deedee, that was a great reserved vocal at the top. That's so hard to do, especially on a competition show," noted Jewel.

"You've understood vocally what you guys can do as far as dynamics," said Stockman, "Deedee, your voice is so mesmerizing… You take over the song, you bring it to where everybody is in full attention at what you're doing. And that's the power and the drama that we as artists can create. You drew the picture, and Imani, you just brought it way home."

Stockman also complimented Deonis Cook on his percussion, "I was gonna see if you did the syncopated, do do do do do do do do do do do do do do, and I was like, YES! Everything was on point. You guys sound amazing. I'm so happy that you found your niche. Congratulations."





Wednesday, December 18, 2013

Jewel proves her prowess as a professor of a cappella


Jewel adds her knowledge base to this Season's Sing-Off panel of judges

This new Season 4 of The Sing-Off a cappella singing competition show has rushed by so quickly, I haven't had an opportunity to give the judges props, especially new judge, Jewel, who replaced hit singer-songwriter Sara Bareilles who stepped down from the role of judge in order to promote her new album. 

The seven episode show, which debuted on December 9, 2013, and has aired three times each week, has only three more episodes left to air: tonight, tomorrow, and a finale on Monday. Now over halfway through, it's gone by far too quickly, in my opinion, and I'm sad that by this time next week, we'll be back to singing Christmas carols and listening to the same old tired musak that's filling up most of network televisions' airwaves this time of year. 

This past Episode 4, which aired on Monday, December 16 at 10 p.m., was an hour long show which featured four of the seven remaining competitors: Home Free, VoicePlay, Element, and Vocal Rush. 

The show has been judged by Ben Folds and Shawn Stockman, and hosted by Nick Lachey over its course of four seasons and has seen its ups and downs in ratings. The third judgeship role has been filled by Nicole Scherzinger in Seasons 1 and 2, Sara Bareilles in Season 3, and now Jewel in Season 4. 

I think many of us wondered how on earth the beautifully voiced Jewel would fare. A four-time Grammy Award nominee and platinum album seller, she has made her mark singing soulful emotional ballads, the equivalent of the chick flick for music. 

I must confess, I have been a fan of Jewel's since before most people ever heard of her. I've always admired the interesting texture of her soprano voice, found her songwriting intelligent and heartfelt, and even bought some of her CDs. But, what does she know about a cappella singing? 

Plenty, apparently. 

During the first episode, I was so shocked by her usage of vocal terminology, I almost wondered if Jewel would dethrone the great Professor Ben Folds as academia's premiere expert on singing. Her knowledge of technical terms and acute observations have put her at least on an equal footing. What I was not prepared for is her vast knowledge of music in general, factoids and little gems of trivia about the original recordings of the songs which are featured on this season of the Sing-Off. To put it simply, Jewel is a jewel. 

Though she talks about ten miles a minute, you can learn something from listening to Jewel. This particular episode, while taking notes and transposing her comments, I have defined some of the musical jargon she has tossed out within parentheses to make it easier for those of us at home without dictionaries handy to understand. 

Folds, while no longer throwing out the big words this season 4 (though Lachey did accuse him of being a sesquipedalian) has decided this season to instead come up with odd little non-word sounds to emulate various inanimate objects, such as: a walking bass guitar, a tree, and a refrigerator, to date. As a writer, this has been a challenge attempting to transpose and quote these vocalizations. 

In the meantime, Stockman talks mostly with his hands and vocal expressions. I have also enlisted parentheses to help illustrate these moments when I feel it's important to use a gesture as a quote.



Season 4 Episode 4 Recap – "My Generation"


Home Free
Minneapolis, Minn
5 men
covering "Ring of Fire" by Johnny Cash

As a professional touring a cappella group, Home Free's Rob Lunquist explained that the group lives out of an RV and does about 250 shows a year. That kind of experience shows in their live performances, which are always tight, always harmoniously perfect, and truly entertaining. Their particular rendition of "Ring of Fire" by Johnny Cash was absolutely momentous. 

Tim Foust, started off the night by capturing the audiences' attention by spotlighting his deep rich bass vocals, singing slowly and deliberately:
"Love is a burning thing. 
And it makes a fiery ring."
The key changed as regular lead vocalist Austin Brown took over the next two lines: 
"And bound by wild desire, 
I fell into a ring of fire." 

The first verse took the band a full 32 seconds to deliver, twice the amount of time they would deliver the second verse, and captivated the audience with every single note and syllable. The group is only given about two and a half minutes to perform a song before the judges, and these four lines represented one fifth of their allotted time. 

"You guys opened and you encapsulated something about the song which is sad, and it was perfectly executed," said Folds.

"You know, June actually wrote this song when she met Johnny, and she was still married, which gives it a lot of heart and a lot of feel, of like, you're sinning. So that poignancy was really brought out by that beginning," noted Jewel, speaking of June Carter Cash.

The group then upped the tempo and launched into a full group chorus, of "I fell into a burning ring of fire," complete with voice emulated drums and bass. Each verse which followed was up tempo and bouncy, what Stockman termed as a "reggae dance hall beat." 

"I would have never thought of anything like that, but it worked. Like, it absolutely worked," said Stockman.

The song featured bassist Tim Foust on lead vocals. With each incredible note he delivered, it was apparent that we were watching a star perform. His control of his own four-octave range is incredible, reaching up into falsetto F#3 during one emotional verse, then back down to end the song in a fog horn like depth of a low F#0, that Judge Jewel noted to be over three octaves apart. 

Lachey marveled at the feat, "Shoot the floor! Have you ever heard anybody sing that low before? I don't know if I've ever heard anyone hit a note that low."

Folds thought the arrangement was awesome, "Tim, you went from being an instrument this time to being human. And it was so great… it was because before you've been … like the singing refrigerator guy, 'wom om bu om bu,' but this time, like the tree, like the wise tree. Maybe a wise tree is a better, you know? …And then, the end, with that massive heavy low note. it's just a great way to leave everyone going, holy carp,* what was that?" 

"That was sick," said Stockman.

Their performance nearly insures them in one of the four coveted spots in the finals, assuming they can continue at this level.


VoicePlay
Orlando, FL
6 men and women
covering "Don't Speak" by No Doubt

If anyone asked me, "who is the Pentatonix of Season 4," I'd have to say VoicePlay. Their three part harmony, bass, and drums, with a lead female vocal has made them the act that no one saw coming, especially after a rocky start this season. However, even Pentatonix was in the bottom at one point, but faced with the threat of elimination, pulled themselves up and kept going, and that's what VoicePlay has also done. And done well, I must say, as they performed an interesting version of "Don't Speak" by No Doubt.

After getting the assignment, band member Earl Elkins voiced concern, "We don't normally do emotional songs. We're not really a ballad style group, which it's gonna be difficult." The five-man backing group usually performs upbeat pop songs to tourists around the Orlando area, and added in their friend Honey LaRochelle for standout leads during the Sing-Off competition.

Judge Folds, who mentored the four groups this episode, suggested that they "put the song first in this one. I think you guys are at your best when you're really focused to the song, and then you can just tell the story," said Folds. "You're unique anyway… The things that you already are, are going to do their own work… Kick its ass."

The group started the song out with a delicate intertwining of high harmonies backed up by a light rhythm section, then came together perfectly as a group, each solidly hitting their marks. The highlight of the performance was an interesting Middle Eastern sounding solo, by Eli Jacobson, not an easy feat.

"That was amazing, just from the beginning," said Stockman. "It's really right now about arranging, and you guys showed a different side to yourselves that we haven't seen before. The way that Honey and Layne (Stein), how you guys just started the whole thing off. Everybody was like (mouth open in gawked amazement), It was like, you had us!"

Folds complimented them for their wise arrangement for this particular song, "All the things you started with that were sort of your liability,… the way that you would jump from one thing to another so quickly, kept us from knowing who you were. That time, you used all those dynamics to say something and it was really awesome."

Jewel broke down the song piece by piece, illustrating how the groups' changes made the song work, "You guys did that great and you used a lot of dynamic (variation and gradation in the volume) to help serve that point, starting in pianissimo (very softly), and then building, and you know you're crescendoing (gradually and steadily increasing) into forte (a loud forceful tone) and then into fortissimo (a very loud tone), really getting big, and then dropping back down, using the real sensitive vocal breakdown that you did out of the bridge was really beautiful. You guys did a great job considering a lot of different dynamics."    

"That was emotional," summed up Stockman.



Element
New York, NY
10 women
covering "You Keep Me Hangin' On" by the Supremes

One of the difficulties with a large group, and especially an all-female group, is arranging a song in such a way that the lead vocal can be easily distinguished. Element was able to achieve this task by trading off lead vocals amongst their very talented pool of vocalists after listening to some sage advice by mentor Judge Folds, "Who ever's singing needs a clear space to sing. If you have other singers in your range backing you up, they're not backing you up anymore, they're getting in your way," he explained. "It could be one person singing and everyone else could be Shh Shh whispering."

Their cover of the Supremes, "You Keep Me Hangin' On," was a personal one, "That song's really about female empowerment, and I can see why you guys chose it. I know that's really a mission for you guys and I think we definitely felt that. There's a lot of sincerity in the lead vocal," noted Jewel. 

However, the groups' rendition seemed a bit too nice. Folds suggested that they dig deeper, "You have such kind faces," said Folds, "Julie (Manjula Raman), you almost got pissed, like, you almost summoned a little bit of anger. Go ahead and drive it home and get pissed about it. It's okay."

Despite their efforts, they were unable to impress the judges enough to survive this round and were sent home. "I liked what you guys did. I just felt like there were moments where some of the harmonies were kinda muddy. They were a little unglued, which made it for me, not as dramatic as it could have been," explained Stockman, "It just felt like one movement and it just wasn't enough change for me in the midst of that record."



Vocal Rush
Oakland School for the Arts high school in Oakland, CA
12 young men and women
covering "Holding Out for a Hero" by Bonnie Tyler

Once again, the talented kids of Oakland School for the Arts Vocal Rush impressed us, this time with their amazing rendition of "Holding out for a Hero," by Bonnie Tyler. Noting their handicap, mentor Judge Folds suggested during rehearsals, "It's down to technique right now, because what you don't have going for you is …15 years on the stage or touring constantly together, so make sure that your T's are dotted and your eyes are crossed."

What I enjoyed most about watching Vocal Rush perform is the wide range of vocal talent: For this song, the group featured its deep rhythm section and strong lead vocals, something that you wouldn't expect from high schoolers. Add to that their multi-ranged harmonies and impressive dance moves, and you have a recipe for success.

"The fact that you're young and you have no fear, ya'll just go for it. Ya'll give your one hundred percent… every time you perform, and that's what's so great about you guys, and not only that, to be the youngest crew in this whole thing, you guys are so musically intelligent," praised Stockman.

"The bass and drums. You guys really really held it down this time in a way that you hadn't before," said Folds, "The double chorus at the end, was like you just about hit your limit, but when you ended it and you landed the plane, it was awesome. and I can't tell you how much I like watching you sing. And, It's just an inspiration. When I was your age, I was an idiot," joked Folds.

"I think you guys make this sound cool. I loved the rap. I thought that was really great. It took me by surprise. I didn't expect that," said Jewel, "And again, there's so many single voices, but you guys sound so warm and so rich, your tones are just beautiful, and they're blending beautifully. 

The group was given homework on ways to improve, "If there was one tiny chink that is in your armor, it's that your youthful exuberance can also just be a slight achilles heel, because you do get a little bit excited, and sometimes it just gets a little bit fast. You just get ahead of that tempo a tiny bit, and that's probably the only chink that I can find," noted Jewel.

"It fell apart just a little bit, but you picked yourselves back up. It's nothing else I can say except, awesome," said Stockman. 



* the word carp is implied. the actual expletive was bleeped out.